THE COUP. Nunez Christian text. The visual work of Bertha Gio (Merida, Mexico, 1989) is not conversational combat with the spectator is challenged, he pressed his face against the floor, he responds aggressively. Such violence is a reaction to frozen hostility against women dating back to the culture of machismo in Merida still dominant, of course! What is the woman, \"says the public, and question and discover, below, an attempt to reify, a load of cynical rejection of misogyny. Practice for the Future: A perfect homemaker, the standard of family life, administrator of the estate of her husband, the dove of the little nest? Wonderful definitions! Bravo, reader! Should not feel guilty, reader. You and I know which side is the truth. Bertha Gio mocks tax schemes by a phallocentric society, which has as one of their chief representatives to the Yucatan, proudly! In the feminist protest, blows to its owner. Bertha women whisper are not of this world, life is resolved and it is sad, and cry. Fragmentation, use of isolated figures in distorted atmospheres, mental imbalance. A number of things, women were on the wrong track, went on the covers of magazines like Vanity Fair and Cosmopolitan and smile and then raped. Congratulations! Minimalism in the service of schizophrenia. The syntax, other important points. And the revenge dear reader. Revenge.


-------------------------------------------------- --- By: Luciano Sánchez Tual First, you emit inarticulate cries. And he will be tempted to return to it. It\'s normal. Poetry, in fact, preceded by some articulate speech.   Again dive into inarticulate cries, whenever you feel the need. Is a bath of youth. But do not forget: if he fails, at least from time to time, make it out of the bathroom, you will die. The human body has its limits. The mechanisms of social solidarity (social insurance, grants, etc.) Should be used to fund and financial support of wealthy friends. Does not develop an excessive guilt on this matter. The poet is a sacred parasite. The poet is a sacred parasite, similar to ancient Egyptian beetle, can thrive on the body of affluent societies and decaying. But it is also a place in the heart of strong societies and frugales.Michel Houellebecq, \"Stay Alive\", 1991. Browsing books in a store I found the thought that aesthetics is a problematization between what society needs and what the individual needs. When I look at the work of Bertha Gio, come to my mind the possible attributes of such problematization. \"Solidarity or objectivity?\" Asked Richard Rorty in his philosophical writings. Solidarity is Bertha \"is objective? Can you be objective while supportive? Apparently, for social use   not very difficult to objectify solidarity, a maneuvering instruction first aid (is there no manual for second, third, fourth aid?) exemplified by realizing a regulatory process to a disaster (I wish there were instructions for what to do before a malnourished child or a hundred thousand people without work or a stray dog.) On the other hand, is the objectivity can be supportive? By showing his artistic thought, \"Bertha could again be united or formed into a spit selfish? Perhaps their strategy is thinner and wants to show that no community solidarity, intellectual, interpersonal, all objectives can not be an objective because it would always positions on a war footing.